I pick myself up and approach the feast. Upon closer inspection it becomes clear that the food, which had previously seemed so bright and tempting, is in fact composed of wax or has been carved from wood and painted. It is the sculpted replica of a classic feast, but none of it is real.
As I move away I become aware of a terrific ululation, which could easily be an echo from my own stomach, as I am feeling the strains of hunger.
I step onto the train of a long glow that emanates from a window ahead. It conveys a sense of promise.
However, this feeling is foreshortened as I witness phantoms fleeing out through the window with a hellish warbling din and off into the darkness, as though their aim is to evade a danger I am unable to perceive. Behind them comes JD, waving a ghost-like handkerchief to shoo them away.
Once he has seen them off he leans out to me, and without a hint of irony, intones 'The tang of wild orange'.
He gaily waves a sistrum in my face then spins around and makes a swift departure, rattling as he goes, though in his wake he leaves a silence that seems burdened with shame.
Upon the ground lies another note:
"Clare behind the statue of
cupid beasts. Crazed babe, as
cute and simple power devoted
to each daily shade of style."
But as I pick it up and head down one of the bifurcating passages I perceive a crowd behind me. They must have come from the other passage.
I look back and see decapitated men, chickens, quails and other flightless birds advancing quite quickly, but in a clueless way, as they jostle and bump against each other, spilling blood before them.
'Am I destined to become one of them?' I wonder. If this is to be my fate I cannot accept it.
The pooling blood thickens and starts to swirl, then disappears into the soil, as down a plug-hole. The air fills with a steam of vermilion hues which condenses upon the walls but is quickly absorbed, as though stolen away, leaving the passage dry, as the last of the blood is sucked into the earth and man and bird collapse, thoroughly drained.
A heavy "clunk!" as of fallen metal, draws me deeper into the tunnel, where I see distant figures in crimson robes, but all too briefly, as they retreat into the shadows. I pick up a medal from the ground and hang it around my neck. It is a reading award, or, to repeat the legend scored into the flat pane at its back, it is a medal awarded for the Consumption of the Written Word.
With the medal hung I stand proudly and a two dimensional figure stretches from my torso and emerges from my body. A female child, naked but for silhouettes and shadows, whose first act is to grip my arm and from there feel me over, to make sure that I am real.
I am so absorbed in this process that I do not notice the two men who have approached and now flank me, each swiftly grasping one of my arms, as they carry me along between them, though as we progress I realise it is in fact I who is leading them, and so fast are we now progressing that they start to spin like cartwheels.
I decide to pull us to a halt and when I do they lift into the air and coalesce into a solid globe.
Now I am approached, somewhat apprehensively, by the children I had seen earlier but who by now are feeling courageous enough to lay their hands upon me, the stranger in their midst, and, like the two dimensional girl, probe to see whether I may be real, or an apparition.
As one, they inhale deeply, then each attempts to insert a slither of bamboo under one of my nails, but as they force it in they disappear, as though they were being sucked into my finger.
I feel surprisingly little pain and am compelled to lift my arms so that my hands are projecting outwards and from the tips of my fingers I shoot arrows of fire, which turn back to children as they penetrate the ground.
The keys that they now hold, the keys of binding and of choosing, signify that they are at last free.
One girl kneels to prey. My heart stands still, I tremble. Someone rings a hand bell. Another takes my hand whilst her friend takes a snapshot.
Blooms rapidly erupt from all sides of the passageway until its hideous walkways are concealed beneath bright and colourful flowers and from the hearts of these gush fountains of blood, milk and "water".
I feel intoxicated but equally succumb to drowsiness. I stretch my palms before me like a blind man as I dream.
Three sharp blows serve to shape the darkness into the vision that now forms before me.